The 10 Best Wireless Microphones For Vocals | Musician Nerd (2024)

The ULXD2 is probably my favorite wireless transmitter, using AES 256-bit encryption for secure audio transmission & a whole other range of features. The proprietary Shure Gain Ranging optimizes the dynamic range, removing the need for transmitter gain adjustments, saving you many headaches.

The Shure ULXD2/KSM9 uses the Shure SB900A lithium-ion rechargeable battery pack, which boasts a high 12-hour battery life, with digital metering on the mic! The transmitter mute mode takes an on/off button and changes it to a mute button, which has the same effect while keeping the RF channel presence.

The Shure Beta-58A is a popular microphone and a favorite of mine. Thanks to the dominating vocal presence, it has a versatile range of uses, such as performing vocals, public speaking, or even streaming and videos. With a frequency response tailored for vocals, the beta-58 used a brightened midrange and bass roll-off, controlling the proximity effect.

Beyond just the beautiful sound, the Shure Beta-58 controls the sounds you don't want. Like other vocal mics from Shure, this cardioid microphone focuses more on your voice while blocking out other surrounding noise. The built-in advanced pneumatic shock mount system does a premier job of reducing handling noises so you can move around.

The Shure BLX2/SM58 is a timeless classic used by many, from famous pop singers to US Presidents and popular comedians. Whether you're big on the scene or just starting, the Shure BLX2/SM58 is just as incredible as it is accessible.

The pneumatic shock mount will help keep the sound free from vibrations & handling noises, while the windscreen reduces air noise & plosives. Thanks to the spherical mesh grille & internal pop filter.

The Q8 dynamic cordless microphone is very high quality for a relatively cheap microphone, with a low impedance design. The super-cardioid pickup pattern works exceptionally well, giving a lot of presence to your vocals while muting out surrounding noise. This is even more ideal in live settings to block feedback.

The multi-axis shock-mounted element within the Samson Go HXD2 capsule is protected from handling noises, and the rugged design can withstand most settings. The transmitter has massive battery life, with a whopping 20 hours of life on two AA batteries. Lastly, the transmitter can handle a distance of up to 100 feet.

This microphone is very versatile, and I've seen it be used for both film & live vocals. The sound quality is among the best I've heard from a dynamic microphone like this, and the uni-directional polar pattern pickup helps reduce other unwanted noises.

The range is what’s most impressive, boasting a whole 330 feet. This is often much more than anyone will need but assures you it’s worthwhile. The total operation time on a single charge is 8 hours, which is also very substantial.

The advanced 24-bit operation from the digital transmitter ensures we're getting maximum quality out of our microphone signal, with a 2.4GHz range. We don't have to worry about common interference like TV or radio in this range. The three levels of diversity assurance, frequency, time & space, ensure clear communication.

This durable mic offers incredibly clear quality on the microphone side. It offers great handling for wind & plosives, and the cardioid response pattern blocks out other unwanted noises.

The ULXD2 is probably my favorite wireless transmitter; using AES 256-bit encryption for secure audio transmission & the proprietary Shure Gain Ranging optimizes the dynamic range, removing the need for transmitter gain adjustments.

The Shure ULXD2/B87A microphone is an amazing vocal microphone, delivering uncompromising audio quality & RF performance. The internal pneumatic shock mount & pop filter ensures your audio is going to be sounding as best as it possibly can. The frequency range gives a low roll-off effect with a crisp high end.

The wireless system runs on a 2.4 GHz frequency range, ultimately keeping it from TV interference. Better yet, this wireless system has its own automated internal frequency selection tool that can detect interferences and stick to a safe frequency channel.

I've used this device quite a lot for public performance, and it's incredibly quick to get up and running with. They say you can use up to 8 channels together without any issues, though I've only tested up to 4.

The microphone operates with up to 88MHz bandwidth & offers 3520 selectable frequencies. The frequencies are fully tunable in a stable UHF range, and you won't need to worry about interference. Furthermore, depending on your country's regulations, the system offers a high RF output.

Those of you looking to put on a large performance will be happy to hear the Sennheiser EW 500 receiver is compatible with up to 32 channels.

Right off the bat, you're getting a C5 microphone capsule, known for giving you clear vocal reproduction. You don't often see condenser microphones used for live vocals. However, they can offer higher levels of detail under certain circ*mstances than your average dynamic microphone. The bigger concern is with background ambiance, which AKG mitigates with Pilot tone transmission, removing unwanted noises.

When combining frequency bands, you can have up to 48 channels simultaneously, which is typically more than most gigs require. Having used the AKG WMS470 wireless microphone system on several occasions, I've never dealt with frequency interference issues or noticeable latency.